Saturday, May 4, 2024

St Petersburg couple design home around collection of glass art

glass art design

In paperweights, the millefiori or sculptural lampwork elements are encapsulated in clear solid crystal creating a completely solid sculptural form. Some of the earliest and most practical works of glass art were glass vessels. Goblets and pitchers were popular as glassblowing developed as an art form. Many early methods of etching, painting, and forming glass were honed on these vessels. For instance, the millefiori technique dates back at least to Rome.

Ulla Forsell (b. , Swedish Glassware Designer

The strength to keep yourself in balance, and being honest with yourself and the work, is of most importance. Reinventing myself as an artist over and over again and developing skills are my greatest challenges in working with glass. My use of multiple techniques to arrive at complex works is based on the complexity of society. I try to capture its ambiguity in layered, ambiguous works that touch both personal and universal feelings. In Paris, France, the Louvre has four glass pyramids - with three smaller pyramids surrounding the main one. Pei designed the glass pyramid to accommodate the ever-growing visitors of the museum.

Unveiling the Beauty of Silvered Glass: A Historic Technique with a Modern Twist

The work I create in glass addresses the hand and making as subject matter. Specifically, my thematic approach addresses the gendering of occupation and object through the lens of a mythical Renaissance Venetian glass maestro who is female. The work fuses the history and tradition of chandelier- and glass-manufacturing with the relationships of gender and mastery through the skill-laden culture of the glass studio. Surely the ability to access facilities and collaborating with skilled glass makers. This challenge, however, is one of the unique conditions surrounding glass, which is the social aspect of the making of glass. The process of production is often communal, which in turn allows for a more emergent and collaborative environment.

Murano Glass Museum, Venice

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With almost 4,300 glass models of flowers from 780 species found worldwide, this collection is the only one of its kind in the world. The glass artists who made this are Leopold and Rudolf Blaschka, who were known for their impressive glass models of sea creatures. The Blaschkas completed the collection in 1936 after almost 50 years of arduous work. Designers Frank Slesinski and Serena Brosio collaborated on the charming living room in the Gatehouse. “One of the main things we did was add a window seat, which looks like it should always have been here,” Slesinski says.

glass art design

Designer Rachel Scheff used the home’s spectacular ceiling, woodwork, and stained glass as the inspirations for her fanciful, flora- and fauna-filled foyer. “It was one of my favorite rooms in the house because it was the one that had the most history preserved, and I wanted to really celebrate that,” she told AD PRO. “I wanted you to feel like you were transported to another time and place,” Scheff says. Victor and Sharon Gardner became interested in glass art about a decade ago when the Everetts, their neighbors at the time, brought over a book on the subject. Now the Gardners are in a condo that spotlights their own impressive collection, with some pieces displayed on pedestals, others in nooks and still others on glass-topped tables.

It produces works that look knitted, though they are made entirely of glass. Many of my creations involve the manipulation of glass materiality beyond its decorative normality. Experimenting with mixed materials and digital processes allows the state of the semi-fluid material to manifest in peculiar intricacies and formats you’d never be able to predict. The work[s] I make are the largest shapes I can manage; I go until I can’t go anymore. Sometimes I look at the pitchers as a trash can with a handle—the handle, or the grip, makes it into something else.

“When we got the building in 2018, we had about thirty people involved who were doing glass, who were learning beginning stuff,” she said. “Now we have almost 3,000 people involved who come and do things with us”—whether it’s attending events, taking courses, or just lending a hand. It gives visitors the opportunity to rediscover the joy of making things with their hands, especially for people who are alienated from their labor in the industrial age. Taking traditional cane techniques and funkin it up to create patterns that represent a form of expression like the clothing from the time period. Leerdam Glasfabriek, founded in 1878, revolutionized glass design through collaborations with artists, setting new standards for functional beauty and Dutch innovation.

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Weather conditions matter; temperature and humidity place strain on the body. It helps to condition oneself physically so the body is not a limiting factor to making in the demanding hot shop. The most recent piece in the series is included in “New Glass Now.” This elaborate light fixture, called Meat Chandelier, references traditional Italian chandeliers, typically depicting complex floral arrangements. I subvert these visual markers and render accurate pieces of meat out of glass in place of the frilly floral motifs. Hot dogs are tethered together; logs of salami, as well as prosciutto, dangle; and a pork chop flaps at the center.

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Although BCGC teaches traditional techniques, Gitlitz wants to disrupt traditions of the industry. “In the 1980s and ’90s, the culture was very toxic and very masculine—not a nice place to be a woman, glassblowing.” This dynamic started to change later, when glass departments opened in a few universities. At the end of that class, Gitlitz had learned of a new glass school in Türkiye, Cam Ocağı Vakfı (Glass Furnace Foundation). She proposed that Traylor and her assistant Eddie Bernard teach a course there and bring her along as their teaching assistant—one who could translate for them into Turkish.

glass art design

The intricate patterns and skillfully crafted forms of glass and metal make each piece of art a unique one-of-a-kind sculpture. Nic enjoys spending his time making high quality original glass sculptures to share the beauty of life with others. Originally from Los Angeles, Isaac Feuerman is an Everett Washington based glass artist who uses the patterned symmetry of nature as the fundamental architecture for his work. Pursuing the interplay of space and design, his sculpted and hand blown objects are a mixture of modern and traditional Venetian glassmaking techniques. A fairly new addition to the field, knitted glass has been made famous by just a few practitioners.

The glass sculpture measures 9 meters by 20 meters and is officially named Fiori di Como (Flowers of Como). From humble beginnings of glass art, modern technology and the innate creativity of man resulted in some of the outrageous and awe-inspiring contemporary glass art, from sculptures to glass etching to glass blowing. Using both found and blown glass, Costa Rican artist Juli Bolaños-Durman invents sculptures that evoke the playfulness of Postmodernism while emphasizing the historical canon of the medium through physical fragments. Fused glass art is made by literally fusing different pieces of glass together in a kiln. In some cases, the glass may be completely molten down until the two initial pieces mix together.

The main pyramid used 603 rhombus and 70 triangular glass segments. Another testament of the role of glass in art is the Crown Fountain, which opened to the public in July 2004. The twin fountains, named after the Crown family, who donated the bulk of the $17M fountain and reflection pool, use glass brick for the 15m video sculpture. Though the Aquarium is not art in itself, it uses the largest acrylic glass panel in the world at the time, measuring 27 x 74 feet and almost 2 feet thick.

Peltier and designer Marina Kelly installed an arch to divide the bedroom from the sitting area, breaking up the large space. The designers worked with a color palette of Dunn-Edwards paints, and several chose to highlight the brand’s 2024 Color of the Year, a steely blue called Skipping Stones. Nods to Pasadena’s famous peacocks can be found throughout the designs, and many creators fearlessly brought in statement floors, enveloped their spaces with jewel tones, and added texture to ceilings.

Each piece looks like blobs of jello, enticing the viewer to touch it, just to see if it wobbles. Although the artist keeps her exact technique a secret, rumor has it that the incorporation of fine gold and silver helps to create the mesmerizing, color-shifting, iridescence. Techniques used include stained glass, carving (wheel carving, engraving, or acid etching), frosting, enameling, and gilding (including Angel gilding). Glass panels or walls may also be complemented by running water or dynamic lights. The turn of the 19th century was the height of the old art glass movement while the factory glass blowers were being replaced by mechanical bottle blowing and continuous window glass. Great ateliers like Tiffany, Lalique, Daum, Gallé, the Corning schools in upper New York state, and Steuben Glass Works took glass art to new levels.

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